BEST ACTOR: Brian Dennehy for Death Of A Salesman, Lyric
BEST PERFORMANCE IN A SUPPORTING ROLE: Noma Dumezweni, A Raisin In The Sun, Young Vic at Lyric Hammersmith
BEST NEW PLAY: On The Shore Of The Wide World by Simon Stephens, Cottesloe
BEST NEW COMEDY: Heroes by Gerald Sibleyras translated by Tom Stoppard, Wyndham's
BEST ENTERTAINMENT: Something Wicked This Way Comes, Cambridge
BEST REVIVAL: Hedda Gabler, new version by Richard Eyre
BEST NEW MUSICAL: Billy Elliot - The Musical, Victoria Palace
OUTSTANDING MUSICAL PRODUCTION: Guys and Dolls, Piccadilly
BEST ACTRESS IN A MUSICAL: Jane Krakowski, Guys and Dolls
BEST ACTOR IN A MUSICAL: James Lomas, George Maguire and Liam Mower, Billy Elliot
BEST PERFORMANCE IN A SUPPORTING ROLE IN A MUSICAL: Celia Imrie for Acorn Antiques - The Musical, Theatre Royal, Haymarket
BEST DIRECTOR: Richard Eyre for Hedda Gabler
BEST THEATRE CHOREOGRAPHER: Peter Darling for Billy Elliot
BEST LIGHTING DESIGN: Don Carlos designed by Paule Constable, Gielgud
BEST SET DESIGN: Hedda Gabler designed by Rob Howell
BEST COSTUME DESIGN: The Dog In The Manger designed by Es Devlin, Playhouse
BEST SOUND DESIGN: Billy Elliot, designed by Paul Arditti
OUTSTANDING ACHIEVEMENT IN AN AFFILIATE THEATRE: Bloody Sunday - Scenes From The Saville Inquiry, Tricycle Theatre
BEST NEW DANCE PRODUCTION: Sylvie Guillem and Russell Maliphant's Push, Sadler's Wells
OUTSTANDING ACHIEVEMENT IN DANCE: Pina Bausch for the creation of Nelken And Palermo Palermo, Sadler's Wells
BEST NEW OPERA PRODUCTION: English National Opera's Madam Butterfly, London Coliseum
OUTSTANDING ACHIEVEMENT IN OPERA: Simon Keenlyside for performances in Royal Opera's 1984 and English National Opera's Billy Budd, Coliseum
